This piece examines computer-executed color correction. We hear from post-production supervisor Michael Solinger as he discusses the process. He offers a good examination of this field and what he needed to do for Die Another Day. The ...See moreThis piece examines computer-executed color correction. We hear from post-production supervisor Michael Solinger as he discusses the process. He offers a good examination of this field and what he needed to do for Die Another Day. The split-screen comparisons nicely help illustrate the work as well.
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