We hear from post-production supervisor Peter Mavromates, digital color timer Stephen Nakamura, and cinematographer Conrad W. Hall as they discuss color timing and the use of digital correction for the film. This piece gets rather ...See moreWe hear from post-production supervisor Peter Mavromates, digital color timer Stephen Nakamura, and cinematographer Conrad W. Hall as they discuss color timing and the use of digital correction for the film. This piece gets rather technical, but it explains the subject and what happened on Panic Room well.
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