The Vengeance of Durand; or, the Two Portraits - Production & Contact Info

The Vengeance of Durand; or, the Two Portraits (1913)
Short | Short, Drama, Romance

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The Vengeance of Durand; or, the Two Portraits (1913)

Short | Short, Drama, Romance

Part One: Intense jealousy takes possession of Matthew Durand when his wife's foster brother, Carl, comes from Paris and she greets him affectionately. Carl has been studying art in Europe and she has not seen him in many years. She had ...See morePart One: Intense jealousy takes possession of Matthew Durand when his wife's foster brother, Carl, comes from Paris and she greets him affectionately. Carl has been studying art in Europe and she has not seen him in many years. She had almost despaired of ever seeing him again and he brings back the ties of their early childhood. Durand is a man strong in his likes and dislikes, unreasonably so, and his wife's adopted relationship to Carl does not in any way ameliorate his anger or consideration. His jealousy develops into an overpowering hatred for Carl which displays itself in no uncertain manner when Carl paints Mrs. Durand's portrait, which she admires and prizes very highly, for Carl has not only displayed his wonderful genius in the work, but has been inspired by the beauty of his foster-sister, who is a most charming woman. Durand interprets his wife's smile as reproduced in the portrait as an evidence of her admiration for the handsome artist and younger man. In fury, he destroys the portrait and determines to question Carl's right to show any attention to his wife. He meets the artist, insults him and challenges him to a duel. On the eve of the encounter, Mrs. Durand pleads with her husband, for the sake of their child, not to give way to his passion, endanger his life and bring disgrace upon his family. He is obdurate. The duel is arranged. Both men, with their seconds, appear upon the field of honor, take their positions and just as they are about to discharge their pistols at each other, Mrs. Durand rushes between them to stop them. It is too late. Carl, not seeing the woman in time, pulls the trigger, the bullet intended for his opponent passes through her body and she falls dead. Carl returns to Paris and Durand is left alone with his little daughter. His hatred for Carl turns to revenge and he educates his child, Marion, to avenge the death of her mother, filling her young mind with a hatred for Carl, keeping her in ignorance of the real relationship of her mother and the young artist, and the circumstances attending her death. Ten years later, Durand, with his daughter, now a young lady, visits Paris and they meet Carl, who has now become a famous painter. Durand whispers to his daughter and pointing to Carl, tells her, "There goes the man who killed your mother." Part Two: This is the beginning of the end, in which Matthew Durand hopes to satisfy the depth of his revenge and hopes to completely humiliate and strike down his victim. He goes with his daughter to Carl's studio and makes arrangements with the artist to paint Miss Durand's portrait. She refuses to reveal her identity and this lends an additional interest to the painting of the mysterious stranger. Her father reminds her that this is her opportunity to keep the promise which she has made to him in memory of her mother. Left alone, she puts into practice that subtle art that alone belongs to a fascinating woman. She plays upon Carl's susceptibilities to her attractiveness and while he is engaged in painting her picture, she leisurely sits at the piano and plays "The Rosary." He stops his painting, walks over to her side and taking up the theme of the music, their conversation awakens in both a mutual appreciation for each other, which, after subsequent sittings, grows into a strong friendship, until she finds herself in love with the man whom she had promised to betray. Carl calls to see her father to tell him of his love for his daughter. Durand now makes himself known to Carl, laughs him to scorn and tells his daughter to strike the blow which will make his triumph complete. She refuses to reject Carl and her father, in his fury, tries to strike him, overturns a lamp, which sets fire to the house, and before they can escape, it is in flames. Carl lifts Marion in his arms, forces his way through the burning building and carries her to safety. Matthew Durand tries to follow them, is caught in the falling timbers and crushed beneath them, a victim of ills own retribution. After Carl's recovery from the injuries he received in Marion's rescue, he and she, in the happiness of their union, recount the memories of the past and Carl tells her that which was hidden from her by her father, the truth of her mother's death and their adopted relationship. Written by Moving Picture World synopsis See less

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Cast	+ Add Cast
8 cast members

Name	Known for
L. Rogers Lytton Matthew Durand Matthew Durand See fewer	The Third Degree (1919)
Edith Storey Marion - as an Adult Marion - as an Adult See fewer	The Christian (1914)
Florence Klotz Marion - as a Little Girl Marion - as a Little Girl See fewer	The Vengeance of Durand; or, the Two Portraits (1913)
Earle Williams Carl, a Painter Carl, a Painter See fewer	The Scarlet Runner (1916)
Julia Swayne Gordon Mrs. Durand Mrs. Durand See fewer	My Lady's Slipper (1916)
Harry Northrup Second Second See fewer	The Heart of Maryland (1927)
E.K. Lincoln Second Second See fewer	Lafayette, We Come (1918)
Leo Delaney Actor Actor See fewer	As You Like It (1912)