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Chris Goodes
Sound Department, Music Department, Editor
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Credits | |
| 231 titles |
| Films in Production (2 titles) | Budget | Status |
|---|---|---|
|
Post-Prod
|
|
|
Filming
|
| Television in Production (2 titles) | Episodes | Status |
|---|---|---|
|
5
|
Post-Prod
|
|
3
|
| Past Film & Video (193 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
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$1.4MM
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$14K
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$1.8MM
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$200MM
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$454K
|
||
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$149K
|
|||
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$231K
|
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||||
|
$15K
|
$32K
|
$33K
|
|
|
$40MM
|
$724K
|
$1.8MM
|
$2.2MM
|
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||||
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||||
|
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|
$6K
|
|||
|
$5K
|
|||
The Dry (2020)
Re-recording Mixer (Soundfirm Australia), Sound Designer, Supervising Sound Editor (Soundfirm Australia) |
$119K
|
$364K
|
$16MM
|
|
|
||||
|
$343K
|
|||
|
$6.2MM
|
|||
|
$14K
|
$36K
|
$1.1MM
|
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|
$2.4MM
|
|||
|
$2.3MM
|
|||
|
$192K
|
$1MM
|
$2.9MM
|
|
|
$51K
|
$51K
|
$2.4MM
|
|
|
AUD 50MM
|
$150K
|
$281K
|
$7.5MM
|
2099: The Soldier Protocol (2019)
Supervising Sound Editor Re-recording Mixer, Re-recording Mixer, Sound Designer |
||||
|
||||
|
$9.5MM
|
|||
|
$230K
|
|||
|
$153K
|
|||
|
$41K
|
|||
|
||||
|
AUD 80K
|
|||
|
||||
|
$150K
|
|||
|
AUD 250K
|
$7K
|
||
|
$61K
|
|||
|
$67K
|
|||
|
$175K
|
|||
|
||||
|
$22K
|
|||
|
$47K
|
$125K
|
$12MM
|
|
|
$393K
|
|||
|
||||
|
||||
|
$15MM
|
$42K
|
||
|
||||
|
AUD 300K
|
$11K
|
||
|
||||
|
||||
|
$9K
|
$104K
|
$1.8MM
|
|
|
$1.9MM
|
|||
|
$250K
|
$486K
|
$83MM
|
|
|
||||
|
$1.6MM
|
|||
|
$381K
|
|||
|
$10K
|
|||
|
||||
|
$6.7MM
|
|||
|
||||
|
||||
|
$171K
|
$350K
|
$58MM
|
|
|
||||
|
$12MM
|
$123K
|
$52MM
|
$141MM
|
|
||||
|
$116K
|
|||
|
||||
|
$68MM
|
$166K
|
$710K
|
$194MM
|
|
CNY 100MM
|
|||
|
||||
|
||||
|
AUD 17MM
|
$185K
|
$2MM
|
$24MM
|
|
$147K
|
|||
|
||||
|
||||
The Unbearable Lightness of Inspector Fan (2015)
Re-recording Mixer, Sound Designer, Supervising Sound Editor |
$20MM
|
$3.7MM
|
||
|
AUD 4K
|
|||
|
$15K
|
$24K
|
$102K
|
|
|
||||
|
$7.6MM
|
|||
|
$150K
|
$236K
|
$468K
|
|
|
HKD 200MM
|
$5K
|
$8K
|
$26MM
|
|
$5.1MM
|
$44K
|
$68K
|
$4.9MM
|
|
$100MM
|
$182MM
|
||
|
AUD 120K
|
|||
|
AUD 600K
|
$3K
|
$8K
|
$8K
|
The Turning (2013)
Re-recording Mixer (segments: The Defender), Sound Designer (segments: The Defender) |
$1.1MM
|
|||
|
AUD 2.5MM
|
$360K
|
||
|
||||
|
AUD 9MM
|
$440K
|
||
|
$20MM
|
$13MM
|
||
|
$4MM
|
|||
|
$39MM
|
$133K
|
$6.6MM
|
$74MM
|
|
$10K
|
$18K
|
$4.4MM
|
|
The 25th Reich (2012)
Annunaki 2 (voice), Re-recording Mixer, Sound Designer, Supervising Sound Editor |
||||
|
||||
|
||||
|
$94MM
|
$48K
|
$311K
|
$2.9MM
|
|
AUD 15MM
|
$2.7MM
|
||
|
$70MM
|
$9.4MM
|
$25MM
|
$57MM
|
|
$653K
|
|||
|
AUD 15MM
|
$26K
|
$84K
|
$2.1MM
|
|
AUD 8.5MM
|
$21MM
|
||
|
$30MM
|
$9.4MM
|
$23MM
|
$109MM
|
|
$25MM
|
$8.5MM
|
$24MM
|
$38MM
|
|
$80MM
|
$16MM
|
$56MM
|
$140MM
|
|
$15MM
|
$355K
|
$139MM
|
$484MM
|
|
AUD 1MM
|
$78K
|
||
|
$13K
|
|||
|
AUD 1.8MM
|
|||
|
$1MM
|
$6K
|
||
|
AUD 3MM
|
$4K
|
||
|
|
$2K
|
|||
|
||||
|
$84K
|
|||
|
||||
|
$6MM
|
|||
|
||||
|
AUD 4MM
|
$528
|
$3K
|
$805K
|
|
CNY 35MM
|
$10MM
|
||
|
AUD 100K
|
|||
|
||||
|
CNY 554MM
|
$13K
|
$627K
|
$130MM
|
|
AUD 1.4MM
|
$8K
|
||
|
$8MM
|
$3.9MM
|
||
|
$2K
|
|||
|
|
||||
|
$40MM
|
$43K
|
$1MM
|
$7.8MM
|
|
$25MM
|
$21MM
|
||
|
$9.3MM
|
|||
|
$50K
|
$207K
|
$50MM
|
|
|
|
||||
|
AUD 27MM
|
$8K
|
$10K
|
$4.6MM
|
|
$51K
|
|||
|
$2.5MM
|
|||
|
|
AUD 90K
|
|||
|
$28MM
|
$12MM
|
$43MM
|
$93MM
|
|
$150MM
|
$71MM
|
$319MM
|
$710MM
|
|
AUD 115K
|
|||
|
||||
|
$200K
|
|||
|
$110MM
|
$45MM
|
$116MM
|
$229MM
|
|
$388K
|
|||
|
$2.5MM
|
$1.5MM
|
||
|
$28K
|
$379K
|
$2MM
|
|
|
$85MM
|
$11MM
|
$83MM
|
$149MM
|
|
||||
|
$35MM
|
$3.7MM
|
$7.5MM
|
$42MM
|
|
||||
|
|
||||
|
|
AUD 50K
|
|||
|
$77K
|
|||
|
||||
|
$50K
|
|||
|
$8MM
|
$15K
|
$215K
|
$574K
|
|
||||
|
$12MM
|
$7.5MM
|
$19MM
|
$23MM
|
|
|
||||
|
AUD 11MM
|
$3K
|
$14K
|
$145K
|
|
HKD 60MM
|
$273K
|
$670K
|
$31MM
|
|
$60MM
|
$15MM
|
$28MM
|
$58MM
|
|
$20MM
|
$33K
|
$1.9MM
|
$5MM
|
|
HKD 140MM
|
$3.5MM
|
||
|
|
||||
|
|
AUD 6K
|
|||
|
$873K
|
|||
|
$1.4MM
|
|||
|
||||
|
|
||||
|
$28K
|
$4.8MM
|
$11MM
|
|
|
||||
|
$1.3MM
|
|||
|
AUD 192K
|
|||
|
INR 300MM
|
$380K
|
$754K
|
$5.9MM
|
|
||||
|
|
||||
|
CNY 100MM
|
$397K
|
$11MM
|
$93MM
|
|
$842K
|
|||
|
$20MM
|
$269K
|
$17MM
|
$105MM
|
|
||||
|
|
AUD 10K
|
|||
|
$10MM
|
$14K
|
$83K
|
$6.1MM
|
|
$5.7MM
|
$24K
|
$647K
|
$4.1MM
|
|
$94MM
|
$70MM
|
$381MM
|
$942MM
|
|
$816K
|
|||
|
||||
|
$529K
|
|||
|
$31MM
|
$18MM
|
$54MM
|
$177MM
|
|
||||
|
$32K
|
$77K
|
$810K
|
| Past Television (34 titles) | Episodes |
|---|---|
|
|
4
|
|
3
|
Citadel (2023)
(TV Series) - Dialogue Supervisor (6 episodes, 2023), Re-recording Mixer (2 episodes, 2023) |
6
|
|
9
|
|
10
|
|
10
|
The Doctor Blake Mysteries (2018)
(TV Series) - Sound Designer (1 episode, 2018), Supervising Sound Editor (1 episode, 2018), Re-recording Mixer (1 episode, 2018)
The Blake Mysteries: Ghost Stories (Nov
30,
2018)
Season 6,
Episode 2
-
Re-recording Mixer,
Sound Designer,
Supervising Sound Editor
|
1
|
Olivia Newton-John: Hopelessly Devoted to You (2018)
(TV Mini-series) - Supervising Sound Editor (2 episodes, 2018), Re-recording Mixer (2 episodes, 2018) |
2
|
|
|
|
1
|
|
2
|
|
|
|
|
Molly (2016)
(TV Mini-series) - Re Recording Mixer (2 episodes, 2016), Re-recording Mixer (1 episode, 2016) |
2
|
|
|
|
8
|
|
12
|
|
|
Small Time Gangster (2011)
(TV Mini-series) - Supervising Sound Editor (8 episodes, 2011), Re-recording Mixer (8 episodes, 2011) |
8
|
|
2
|
Kokoda (2010)
(TV Series) - Supervising Sound Editor (2 episodes, 2010), Re-recording Mixer (2 episodes, 2010) |
2
|
8
|
|
|
|
|
|
|
|
9
|
|
6
|
|
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|
|
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|
2
|
|
|
|
13
|
|
|
|
2
|
|
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