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Thomas J. Smith (I)

Visual Effects
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KNOWN FOR 
The Chronicles of Riddick (2004) | Argo (2012) | Pleasantville (1998)
AWARDS 
4 nominations More »
AKA 
Thomas Smith | Tom Smith

Filmography Filter

Past Film & Video (77 titles)YEARBUDGETUS Gross / WORLDWIDE
  • Primary photo for ImpossibleImpossible Visual Effects Consultant (Pixomondo)  Less 2015 CNY 100MM
  • Primary photo for Side EffectsSide Effects Visual Effects Supervisor  Less 2013 $30MM $32MM / $63MM
  • Primary photo for ArgoArgo Visual Effects (Method Studios)  Less 2012 $44MM $136MM / $232MM
  • Primary photo for Magic MikeMagic Mike Visual Effects Supervisor (Method Studios Los Angeles)  Less 2012 $7MM $114MM / $167MM
  • Primary photo for New Year's EveNew Year's Eve Visual Effects Supervisor  Less 2011 $56MM $55MM / $142MM
  • Primary photo for Jack and JillJack and Jill Visual Effects Supervisor  Less 2011 $79MM $74MM / $151MM
  • Primary photo for The Ides of MarchThe Ides of March Visual Effects Supervisor (Method Studios)  Less 2011 $12MM $41MM / $76MM
  • Primary photo for ContagionContagion Visual Effects Supervisor  Less 2011 $60MM $76MM / $135MM
  • Primary photo for Thin IceThin Ice Visual Effects Supervisor (CIS Hollywood)  Less 2011 $790K / —
  • Primary photo for The Last SongThe Last Song Visual Effects Plate Supervisor  Less 2010 $20MM $63MM / $93MM
  • Primary photo for When in RomeWhen in Rome Visual Effects Supervisor  Less 2010 $55MM $33MM / —
  • Primary photo for The Men Who Stare at GoatsThe Men Who Stare at Goats Visual Effects Supervisor  Less 2009 $25MM $32MM / —
  • Primary photo for The Informant!The Informant! Visual Effects Supervisor  Less 2009 $22MM $33MM / $42MM
  • Primary photo for The ExpressThe Express Visual Effects Supervisor  Less 2008 $40MM $9.6MM / —
  • Primary photo for Beverly Hills ChihuahuaBeverly Hills Chihuahua Visual Effects Supervisor (CIS Hollywood)  Less 2008 $20MM $95MM / $149MM
  • Primary photo for LeatherheadsLeatherheads Visual Effects Supervisor  Less 2008 $58MM $31MM / —
  • Primary photo for Ocean's ThirteenOcean's Thirteen Visual Effects Supervisor  Less 2007 $85MM $117MM / $194MM
  • Primary photo for Wind ChillWind Chill Visual Effects Supervisor (CIS Hollywood)  Less 2007 $6MM $20K / —
  • Primary photo for Smokin' AcesSmokin' Aces Visual Effects Supervisor (CIS Hollywood)  Less 2006 $17MM $36MM / $54MM
  • Primary photo for The Good GermanThe Good German Visual Effects Supervisor  Less 2006 $32MM $1.3MM / $5.9MM
  • Primary photo for We Are MarshallWe Are Marshall Visual Effects Supervisor  Less 2006 $65MM $44MM / —
  • Primary photo for The SituationThe Situation Visual Effects Supervisor  Less 2006 $1MM $48K / —
  • Primary photo for You, Me and DupreeYou, Me and Dupree Visual Effects Supervisor (CIS Hollywood)  Less 2006 $54MM $76MM / $130MM
  • Primary photo for The Break-UpThe Break-Up Visual Effects Supervisor (CIS Hollywood)  Less 2006 $52MM $119MM / $205MM
  • Primary photo for The Shaggy DogThe Shaggy Dog Visual Effects Supervisor (CIS Hollywood)  Less 2006 $50MM $61MM / $87MM
  • Primary photo for The New WorldThe New World Visual Effects Supervisor (CIS Hollywood)  Less 2005 $30MM $13MM / $31MM
  • Primary photo for Wedding CrashersWedding Crashers Visual Effects Supervisor (CIS Hollywood)  Less 2005 $40MM $209MM / $285MM
  • Primary photo for Herbie Fully LoadedHerbie Fully Loaded Visual Effects Supervisor (CIS Hollywood)  Less 2005 $50MM $66MM / $144MM
  • Primary photo for Monster-in-LawMonster-in-Law Visual Effects Supervisor (CIS Hollywood)  Less 2005 $60MM $83MM / $155MM
  • Primary photo for Ocean's TwelveOcean's Twelve Visual Effects Supervisor  Less 2004 $110MM $126MM / $363MM
  • Primary photo for RayRay Compositing Supervisor (Cinesite) (as Tom Smith)  Less 2004 $40MM $75MM / $125MM
  • Primary photo for CriminalCriminal Visual Effects Supervisor  Less 2004 $15MM / —
  • Primary photo for The Bourne SupremacyThe Bourne Supremacy Visual Effects Supervisor (CIS Hollywood)  Less 2004 $75MM $176MM / $289MM
  • Primary photo for The Chronicles of RiddickThe Chronicles of Riddick Visual Effects Supervisor (CIS Hollywood)  Less 2004 $105MM $58MM / $116MM
  • Primary photo for The League of Extraordinary GentlemenThe League of Extraordinary Gentlemen Visual Effects Supervisor  Less 2003 $78MM $66MM / $179MM
  • Primary photo for SolarisSolaris Visual Effects Supervisor (Cinesite)  Less 2002 $47MM $15MM / —
  • Primary photo for The Time MachineThe Time Machine Visual Effects Supervisor (Cinesite)  Less 2002 $80MM $57MM / $124MM
  • Primary photo for Ocean's ElevenOcean's Eleven Visual Effects Supervisor (Cinesite)  Less 2001 $85MM $183MM / $184MM
  • Primary photo for The 6th Day: The Future Is ComingThe 6th Day: The Future Is Coming (Video) Thanks (as Tom Smith)  Less 2000
  • Primary photo for The 6th DayThe 6th Day Visual Effects Supervisor (Cinesite)  Less 2000 $82MM $35MM / $61MM
  • Primary photo for Red PlanetRed Planet Visual Effects Supervisor (Cinesite)  Less 2000 $80MM $17MM / $16MM
  • Primary photo for Where the Heart IsWhere the Heart Is Visual Effects Supervisor (Cinesite)  Less 2000 $15MM $34MM / —
  • Primary photo for U-571U-571 Digital Effects Supervisor (Cinesite)  Less 2000 $62MM $77MM / $128MM
  • Primary photo for Erin BrockovichErin Brockovich Visual Effects Supervisor (Cinesite Inc.) (as Tom Smith)  Less 2000 $52MM $126MM / $256MM
  • Primary photo for For Love of the GameFor Love of the Game Digital Effects Supervisor  Less 1999 $80MM $35MM / —
  • Primary photo for Message in a BottleMessage in a Bottle Digital Effects Supervisor (Cinesite)  Less 1999 $80MM $53MM / $119MM
  • Primary photo for PleasantvillePleasantville Digital Effects Supervisor (Cinesite)  Less 1998 $40MM $41MM / $50MM
  • Primary photo for Doctor DolittleDoctor Dolittle Digital Effects Supervisor (Cinesite)  Less 1998 $72MM $144MM / $294MM
  • Primary photo for SphereSphere 2D Department Supervisor (Cinesite)  Less 1998 $80MM $37MM / $13MM
  • Primary photo for The PostmanThe Postman Visual Effects Plate Supervisor (Cinesite)  Less 1997 $80MM $18MM / —
  • Primary photo for SteelSteel Senior Visual Effects Compositor (as Thomas Smith)  Less 1997 $16MM $1.7MM / —
  • Primary photo for Air Force OneAir Force One 2D Supervisor (Cinesite) (as Tom Smith)  Less 1997 $85MM $173MM / $315MM
  • Primary photo for Romy and Michele's High School ReunionRomy and Michele's High School Reunion Visual Effects Editor (as Tom Smith)  Less 1997 $29MM / —
  • Primary photo for Independence DayIndependence Day Senior Composite Designer (The Post Group) (uncredited)  Less 1996 $75MM $306MM / $817MM
  • Primary photo for FlipperFlipper Visual Effects Digital Compositor (as Tom Smith)  Less 1996 $26MM $20MM / —
  • Primary photo for Executive DecisionExecutive Decision Digital Compositor (Cinesite) (as Tom Smith)  Less 1996 $55MM $57MM / $122MM
  • Primary photo for Bio-DomeBio-Dome Digital Compositor (as Tom Smith)  Less 1996 $15MM $27MM / —
  • Primary photo for French KissFrench Kiss Digital Compositor (Cinesite) (as Tom Smith)  Less 1995 $39MM / $102MM
  • Primary photo for Ri¢hie Ri¢hRi¢hie Ri¢h Digital Compositing Supervisor (Cinesite) (as Tom Smith)  Less 1994 $40MM $38MM / —
  • Primary photo for The PagemasterThe Pagemaster Digital Compositing (Cinesite) (as Tom Smith)  Less 1994 $27MM $14MM / —
  • Primary photo for Baby's Day OutBaby's Day Out Digital Compositor (Cinesite) (uncredited)  Less 1994 $50MM $17MM / $27MM
  • Primary photo for Naked Gun 33 1/3: The Final InsultNaked Gun 33 1/3: The Final Insult Compositor (Cinesite) (as Tom Smith)  Less 1994 $30MM $51MM / —
  • Primary photo for The Meteor ManThe Meteor Man Digital Effects Artist  Less 1993 $30MM $8MM / —
  • Primary photo for Death Becomes HerDeath Becomes Her Computer Graphic Artist (ILM)  Less 1992 $55MM $58MM / $149MM
  • Primary photo for Memoirs of an Invisible ManMemoirs of an Invisible Man Digital Effects Artist (as Tom Smith)  Less 1992 $40MM $14MM / —
  • Primary photo for BackdraftBackdraft Digital Effects (ILM)  Less 1991 $75MM $78MM / $152MM
  • Primary photo for Hudson HawkHudson Hawk Digital Operator (ILM) (as Tom Smith)  Less 1991 $65MM $17MM / —
  • Primary photo for GhostGhost Optical Camera Operator (ILM) (as Tom Smith)  Less 1990 $22MM $218MM / $290MM
  • Primary photo for Die Hard 2Die Hard 2 Optical Camera Operator (ILM) (as Tom Smith)  Less 1990 $70MM $118MM / $240MM
  • Primary photo for Back to the Future Part IIIBack to the Future Part III Optical Camera Operator (as Thomas Smith)  Less 1990 $40MM $88MM / $245MM
  • Primary photo for Joe Versus the VolcanoJoe Versus the Volcano Optical Camera Operator (as Tom Smith)  Less 1990 $25MM $39MM / —
  • Primary photo for Back to the Future Part IIBack to the Future Part II Optical Camera Operator (ILM) (as Tom Smith)  Less 1989 $40MM $118MM / $214MM
  • Primary photo for Indiana Jones and the Last CrusadeIndiana Jones and the Last Crusade Optical Camera Operator (ILM) (as Tom Smith)  Less 1989 $48MM $197MM / $474MM
  • Primary photo for Cocoon: The ReturnCocoon: The Return Optical Camera Operator (ILM)  Less 1988 $18MM $19MM / $25MM
  • Primary photo for Who Framed Roger RabbitWho Framed Roger Rabbit Optical Processing  Less 1988 $70MM $156MM / $349MM
  • Primary photo for WillowWillow Optical Lab Technician (ILM)  Less 1988 $35MM $57MM / —
  • Primary photo for Snow White and the Seven DwarfsSnow White and the Seven Dwarfs Restoration Supervisor (Cinesite) (version: restored) (uncredited)  Less 1937 $2MM $185MM / $418MM
Past Television (1 titles)YEAREPISODE COUNT
Self (1 titles)YEARBUDGETUS Gross / WORLDWIDE

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